{"id":6204,"date":"2026-02-18T11:44:50","date_gmt":"2026-02-18T10:44:50","guid":{"rendered":"https:\/\/www.cabb-lille.fr\/?p=6204"},"modified":"2026-04-02T17:52:27","modified_gmt":"2026-04-02T15:52:27","slug":"le-journal-pauline-le-pichon","status":"publish","type":"post","link":"http:\/\/www.cabb-lille.fr\/index.php\/2026\/02\/18\/le-journal-pauline-le-pichon\/","title":{"rendered":"Jusqu&#8217;au 17 avril \/ Le Journal &#8211; Pauline le Pichon"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"6204\" class=\"elementor elementor-6204\" data-elementor-settings=\"[]\">\n\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-element elementor-element-0fa870c elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"0fa870c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t<div class=\"elementor-element elementor-element-bdf8ec6 elementor-column elementor-col-100 elementor-top-column\" data-id=\"bdf8ec6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap  elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ca37e95 elementor-widget elementor-widget-text-editor\" data-id=\"ca37e95\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\"><p><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: bold; font-kerning: normal;\">Artiste visuelle vivant dans le Nord de la France, Pauline Le Pichon joue avec les codes photographiques et invite le spectateur \u00e0 s\u2019approprier chaque image. Ses s\u00e9ries ont \u00e9t\u00e9 expos\u00e9es et projet\u00e9es dans de nombreux lieux internationaux et nationaux :<\/span> <span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: bold; font-kerning: normal;\">le Rugby Art Gallery and Museum (Royaume-Uni), le CICA Museum (Cor\u00e9e du Sud), la Fotogalerie Friedrichshain (Allemagne), la Biennale d\u2019Issy-les-Moulineaux, la galerie Remp-Arts et l\u2019esTRAde (France).<\/span><\/p><div><div><div dir=\"ltr\"><div><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: bold; font-kerning: normal;\"><span style=\"font-family: verdana, sans-serif;\">\u00a0<\/span><\/span><\/div><div><p style=\"color: rgba(0,0,0,var(--o42jjq,1)); letter-spacing: 0.05em; line-height: 22px; text-align: left;\"><span style=\"font-family: verdana, sans-serif;\"><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-kerning: normal;\">Pauline Le Pichon pr\u00e9sente des images de sa s\u00e9rie <\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-style: italic; font-kerning: normal;\">Le Journal<\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-kerning: normal;\">, compos\u00e9e de 500 autoportraits r\u00e9alis\u00e9s entre mars 2013 et septembre 2014. Chaque photographie montre une action quotidienne que l\u2019artiste vivait r\u00e9ellement et reconstituait pour la prise de vue. Le spectateur d\u00e9couvre ainsi une fiction de son quotidien, une intimit\u00e9 choisie et construite.<\/span><\/span><\/p><p style=\"color: rgba(0,0,0,var(--o42jjq,1)); letter-spacing: 0.05em; line-height: 22px; text-align: left;\"><span style=\"font-family: verdana, sans-serif;\"><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-kerning: normal;\">Si un journal intime recueille \u00e9motions et confidences, <\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-style: italic; font-kerning: normal;\">Le Journal<\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-kerning: normal;\"> d\u00e9tourne ces codes : il ne r\u00e9v\u00e8le ni les moments heureux ni les \u00e9v\u00e9nements traumatiques v\u00e9cus par Pauline \u2014 comme son voyage \u00e0 Budapest en mai 2013 ou son agression en janvier 2014 \u2014 et n\u2019\u00e9voque jamais leurs cons\u00e9quences. Chaque image dessine la fronti\u00e8re entre ce qu\u2019elle montre et ce qu\u2019elle vit, construisant un avatar expos\u00e9 \u00e0 un regard ext\u00e9rieur, loin de la confidentialit\u00e9 d\u2019un journal.<\/span><\/span><\/p><p style=\"color: rgba(0,0,0,var(--o42jjq,1)); letter-spacing: 0.05em; line-height: 22px; text-align: left;\"><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-kerning: normal;\"><span style=\"font-family: verdana, sans-serif;\">L\u2019appareil photographique devient pr\u00e9sence constante : consciente d\u2019\u00eatre observ\u00e9e, l\u2019artiste agit selon ce regard m\u00e9canique. La cr\u00e9ation d\u2019un double et d\u2019une vie faussement transparente \u00e9voque d&#8217;ailleurs la culture du selfie.<\/span><\/span><\/p><p style=\"color: rgba(0,0,0,var(--o42jjq,1)); letter-spacing: 0.05em; line-height: 22px; text-align: left;\"><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-kerning: normal;\"><span style=\"font-family: verdana, sans-serif;\">En r\u00e9p\u00e9tant les m\u00eames gestes, elle cherche \u00e0 explorer de nouvelles compositions. Sur 500 images, seules une vingtaine se d\u00e9tachent, traduisant la monotonie de sa vie \u00e0 l\u2019\u00e9poque. Son visage y appara\u00eet rarement distinct, sugg\u00e9rant qu\u2019elles pourraient repr\u00e9senter n\u2019importe quelle femme de son \u00e2ge.<\/span><\/span><\/p><p style=\"color: rgba(0,0,0,var(--o42jjq,1)); letter-spacing: 0.05em; line-height: 22px;\"><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-weight: 400; font-kerning: normal;\"><span style=\"font-family: verdana, sans-serif;\"><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-style: italic; font-kerning: normal;\">Le Journal<\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-kerning: normal;\"> s\u2019inspire des autofictions de Fernando Pessoa (<\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-style: italic; font-kerning: normal;\">Le Livre de<\/span> <span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-style: italic; font-kerning: normal;\">l\u2019intranquillit\u00e9<\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-kerning: normal;\">, 1982) et de Sylvia Plath (<\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-style: italic; font-kerning: normal;\">La Cloche de d\u00e9tresse<\/span><span style=\"color: rgba(0,0,0,var(--o42jjq,1)); font-kerning: normal;\">, 1963).<\/span><\/span><\/span><\/p><p>\u00a0<\/p><p style=\"text-align: center;\"><a href=\"https:\/\/paulinelepichon.com\/\">SITE DE L&#8217;ARTISTE<\/a><\/p><p>\u00a0<\/p><p style=\"text-align: center;\"><strong>VERNISSAGE VENDREDI 20 MARS 2026 \u00c0 19H<\/strong><\/p><p style=\"text-align: center;\"><strong>EXPOSITION VISIBLE DU 20 MARS AU 17 AVRIL\u00a0<\/strong><\/p><p style=\"text-align: center;\"><strong> Entr\u00e9e libre et gratuite : <\/strong><\/p><p style=\"text-align: center;\">\u00a0mercredi au vendredi de 14h30 \u00e0 17h30<\/p><p style=\"text-align: center;\">samedi de 10h \u00e0 11h30<\/p><p style=\"text-align: center;\">Dimanche de 15h \u00e0 18h en pr\u00e9sence de l\u2019artiste\u00a0<\/p><p style=\"text-align: center;\"><strong>ESPACE \u00c9DOUARD PIGNON \u2013 11, rue Guillaume Tell 59000 Lille<\/strong><\/p><p style=\"color: rgba(0,0,0,var(--o42jjq,1)); letter-spacing: 0.05em; line-height: 22px;\">\u00a0<\/p><\/div><\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Artiste visuelle vivant dans le Nord de la France, Pauline Le Pichon joue avec les codes photographiques et invite le spectateur \u00e0 s\u2019approprier chaque image. Ses s\u00e9ries ont \u00e9t\u00e9 expos\u00e9es et projet\u00e9es dans de nombreux lieux internationaux et nationaux : [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6202,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"amp_status":"","footnotes":""},"categories":[7,1],"tags":[],"class_list":["post-6204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-les-expositions","category-non-classe"],"_links":{"self":[{"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/posts\/6204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/comments?post=6204"}],"version-history":[{"count":3,"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/posts\/6204\/revisions"}],"predecessor-version":[{"id":6297,"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/posts\/6204\/revisions\/6297"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/media\/6202"}],"wp:attachment":[{"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/media?parent=6204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/categories?post=6204"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.cabb-lille.fr\/index.php\/wp-json\/wp\/v2\/tags?post=6204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}